研究者業績

日比野 治雄

ヒビノ ハルオ  (Haruo Hibino)

基本情報

所属
千葉大学 デザイン・リサーチ・インスティテュート 教授 (教授)
学位
Ph.D(カナダ国ヨーク大学)
文学修士(東京大学)

J-GLOBAL ID
200901055373071045
researchmap会員ID
1000010235

外部リンク

論文

 5
  • Manami Furuno, Shu Imaizumi, Kana Maeda, Haruo Hibino, Shinichi Koyama
    International Journal of Affective Engineering 16(3) 221-230 2017年7月  査読有り
  • 今泉修, 古野真菜実, 日比野治雄, 小山慎一
    パーソナリティ研究 25(2) 171-173 2016年9月  査読有り
  • Po-Chun Chen, Shu Imaizumi, David Pei-Cheng Lin, Suke-Hito Kure, Shinichi Koyama, Haruo Hibino
    International Journal of Affective Engineering 15(3) 335-342 2016年7月  査読有り
  • Shu Imaizumi, Akira Iwaya, Haruo Hibino, Shinichi Koyama
    Bulletin of Japanese Society for the Science of Design 62(3) 35-38 2015年9月  査読有り
    Patients with migraine are susceptible to visual discomfort. Some painters who suffer from migraine express their migraine experience and visual discomfort through their paintings, which we refer to as migraine art. Several famous painters (e.g., Picasso) also have been reported to suffer from migraine; therefore, we refer to their paintings as "possible-migraine art." Although paintings with excessive energy at mid-spatial frequencies are uncomfortable to view, it remains unknown whether migraine art and possible-migraine art contain spatial characteristics that contribute to visual discomfort. We performed a spatial-frequency analysis on migraine art, possible-migraine art, and non-migraine art images. The results revealed that migraine art contains more energy at mid-spatial frequencies than non-migraine art. Possible-migraine art also contains this spectral characteristic. We propose that painters who suffer from migraine may utilize rather than avoid spatial characteristics that contribute to visual discomfort.
  • 沈 銀美, 桐谷 佳恵, 日比野 治雄, 野口 薫
    感性工学研究論文集 1(2) 31-36 2001年  
    Shading is one of the typical depth cues generally used in letter illustrations and designs. Among the various kinds of shading directions, we humans are most familiar with shading in the right-bottom direction. In the present study, we investigated the perceptual effects of the shading directions using letters of alphabets as stimuli. In Experiment 1, we used 26 capital letters and 4 geometric figures in the six shading directions, which means that there were 180 conditions (i. e., (26 letters +4 figures) ×6 shading directions). For each condition, we measured the reaction times for perceiving the stimulus. The results indicated that it takes longer for subjects to recognize simple letters and figures. In Experiment 2, we focused on preferences and readabilities of the stimuli, using eight capital letters in four shading conditions. As the results, we found that the right bottom shading was evaluated as the highest (i. e., the most beautiful, positive, and readable). It is plausible that the results are related to our familiarities with the right bottom shading.

MISC

 45

共同研究・競争的資金等の研究課題

 16